Muddling
May 23, 2010
Jarvis Cocker, Pulp frontman and ‘National Treasure’ according to the scrolling display of my digital radio during his BBC 6music show, is this week’s subject of The Observer’s always worthwhile This Much I Know column.
“The muddling through life is the exciting bit of it,” he informs us. How very true. And what a splendid word to describe it. (A word I’m also rather fond of in the context of what you do to mint to make a Mojito.)
Jarvis also tells us his greatest talent: “to sing and move my hands at the same time. It’s not something I’ve thought through; it’s not that I’m trying to do signing. But it’s nice – you can move your hands and shape the words. Shirley Bassey’s very good at it.”
It’s so true. From the wild hand movements of his youth, movements that dragged his whole body across the stage, to the gentler gesticulations of later years, the hands added a whole dimension to his performance. One that seemed to involve absolutely no muddling whatsoever.